Tag: arthurMiller
THE PRICE at Arena Stage
mebrahimzadeh
*Washington Post, “Maboud Ebrahimzadeh is another of Sueko’s assets; his earthy, blunt style feels exactly right as Victor. Ebrahimzadeh channels the character’s intelligence and good-guy ethics lightly, which is pivotal if you’re going to keep Miller’s play from feeling like a righteous harangue.”
*BrightestYoungThings, “The actor who pulls the play out of the fire is Ebrahimzadeh. He has the hardest work to do, playing moments of revelation, shame, moral righteousness, and quite a bit of pain, and he dives in. The climax is his.”
*BroadwayWorld, “Attention must certainly be paid especially to Maboud Ebrahimzadeh. He’s delivered a number of wonderful performances on area stages in the past few years (his performance in Round House Theatre’s Bengal Tiger at the Baghdad Zoo was particularly memorable), but his work at Arena surpasses all of that. It’s that sensational. Nuanced yet explosive acting when required, he reveals all of Victor’s many layers with considerable skill.”
*WomanAroundTown, “As Victor, Maboud Ebrahimzadeh goes toe to toe with Linden. Solomon uses the various pieces of furniture to draw Victor out about his father and their lives. Ebrahimzadeh displays a range of emotions during these conversations that sum up his feelings about his father and his life.”
*TheaterMania, “Maboud Ebrahimzadeh plays Victor with conviction, expressing just the right amount of tension until the last burst of fireworks, when he lets his temper flare completely. He alternates between those tense moments with his brother and extremely tender ones with his wife, who needs a lot of pampering.”
*Alexandria Times, “Playing off an exceptional performance of Maboud Ebrahimzadeh as Victor Franz, a frustrated cop who failed to realize his potential, this production, artfully directed by Seema Sueko, is a well-cast delight that brings both searing drama and mood-lightening humor to the American stage.”
*MDTheatreGuide, “Maboud Ebrahimzadeh portrayal of Victor is heartbreaking in his reactions to the family treachery he learns about. It is a pitch-perfect depiction of a good man coming to terms with decisions (a word used very often by his brother) that he had known nothing of, and yet which impacted his life so deeply.”
*MetroWeekly, “At the center is the put-upon Victor Franz, a man trying to stand his ground against the world’s expectations and his own self-doubt. Bringing a skillful mix of confidence and agitation, Maboud Ebrahimzadeh is memorably compelling as this husband and troubled younger brother. He very much gets Miller’s syncopation and his rhythms of expression…”
*TheDCMoms, “Go to The Price for Linden, but stay for the standout performance by Maboud Ebrahimzadeh…”
*DCMetroTheatreArts, “Ebrahimzadeh’s Victor might not have the edge of a police officer who has been on the beat for half his life, but he more than makes up for it with his stoically repressed delivery.”
