THE HATMAKER’S WIFE at Theater J

Reviews of The Hatmaker’s Wife at Theater J

Here is what they are saying about the show:

*Washington Post, “…The hatmaker is Hetchman (played in riotous, larger-than-life caricature by Maboud Ebrahimzadeh)…”

*CityPaper, “…Ebrahimzadeh does a master class in mining, putting the maximum effort into laziness for physical comedy…. (Before seeing this, I had not laughed so much at the theater in months).”

*BroadwayWorld, “When Maboud Ebrahimzadeh’s Hetchman is introduced, he plays the physical comedy of the hatmaker’s laziness in a way that’s both hilarious and incredibly telling; over time, he reveals other aspects of the character, drawing the audience in without ever losing the core of the man who refuses to compromise his comfort, even for his most beloved possessions….”

*MDTheatreGuide, “A strange, modern fairytale…sure to enchant any theatergoer seeking whimsy and tragedy in equal parts.”

*DCTheatreArts, “Round House Theatre and Olney Theatre Center provided the audience with a multipage printed program full of highly relevant historical information about the complicated market of London newspapers.”

INK at Round House Theatre and Olney Theatre Center

Reviews of INK at Round House Theatre; co-produced with Olney Theatre Center

Here is what they are saying about the show:

*Washington Post, “… expert performances from the likes of Glenn, Ebrahimzadeh, Norris, Wallace and Scofield, names in a cast list that always signal polish and intelligence.”

*MetroWeekly, “Rock solid [is] Maboud Ebrahimzadeh, as stalwart News Editor Brian McConnell….”

*Talkin’Broadway, “Ebrahimzadeh gives an impassioned performance as one of Lamb’s early hires”

*Georgetowner.com, “Round House Theatre and Olney Theatre Center provided the audience with a multipage printed program full of highly relevant historical information about the complicated market of London newspapers.”

HERE THERE ARE BLUEBERRIES by Tectonic Theatre Project at Shakespeare Theatre Co.

Some of the reviews for HERE THERE ARE BLUEBERRIES by Tectonic Theatre Project at Shakespeare Theatre Co.

Here is what they are saying about the show:

*Washington Post, “a gripping exposé… The highly polished cast of eight portrays multiple roles… played with compelling gravity by Maboud Ebrahimzadeh…”

*MDTheatreGuide, “The actors are brilliantly on point given the job that they set out to do… a masterful production…”

*DCTheaterArts, “A technically impressive theatrical event… an artful and considered rendition.”

*DCTrending, “The ensemble cast is a solid unit, with each actor playing multiple roles. There are no weak links… standout performances include Ebrahimzadeh, Charlie Thurston, and Grant James Varjas (all three portraying descendants of individual Nazis we see in the album) with an abundance of humanity, complexity, and inner conflict.”

*BroadwayWorld, “The sterling, eight-actor ensemble portray many more than eight people during this vast play…”

ENGLISH at Studio Theatre

Some of the reviews for ENGLISH at Studio Theatre

Here is what they are saying about the show:

*Washington Post, “… a sterling production… the superlative cast nimbly navigates the performance guidelines that Toossi requires… Ebrahimzadeh’s sensitively assembled portrayal…”

*CityPaper, “Maboud Ebrahimzadeh is one of the performers in the “exceptional” tier, and the cast member most familiar to D.C. audiences from his many prior performances at Studio and other area venues.”

*DCist, “…a rare, delicate feat of performance.”

*DCTheaterArts, “Ebrahimzadeh’s portrayal of Omid expertly conveys the confidence of his character…”

PEOPLE, PLACES, AND THINGS at Studio Theatre

Some of the reviews of PEOPLE, PLACES, and THINGS at Studio Theatre

Here is what they are saying about the show:

*Washington Post, “Muse’s production, staged fashion-runway-style in the Victor Shargai Theatre between opposing banks of seats, offers other exceptional performances”

*CityPaper, “Studio Theatre’s production of Duncan Macmillan’s People, Places & Things is immersive for audiences in the way that car accidents are jarring for passengers riding shotgun: no airbag.”